Latinos, Politics, and American Cinema Essay -- Movies Films

Latinos, Politics, and American Cinema Feature films in the United tells influence American viewers attitudes on a wide variety of topics. Americans attitudes toward politics are influence by films, and specifically the politics of racial interaction. The history of modern bluster films begins with Birth of a Nation (1915), a film that misrepresents the Black turn tail by justifying the existence and role of the Ku Klux Klan in American society. From this racist precedent, producers and directors unsounded that visual messages, however latent, were a useful means of communicating a political message to a large audience. After this epiphany, a multitudinous of films were made for different political causes. Most films had five-fold messages, and among them were conservative themes against the Hispanic travel rapidly. A prime example of a filmmaker who had numerous ideas as to the problems and solutions of race issues in America was Orson Welles. His Touch of Evil (1958) represents many opposite films in that epoch that had different presentations of race issues. The film utilizes imagery that provokes viewers ideas of race politics viewers attitudes are challenged in many scenes. The reason for this political and racial wavering spawns from the fact that Welles race politics were not clearly defined. In fact other films, similar to the contradictory nature of Touch of Evil, presented multiple themes precisely because the filmmakers racial attitudes were blurred. The clearly distinguishable dichotomies of racism were not present, magnanimous way to shades of gray. Richard Stam argues that the study of racial issues in film has been bombarded by critics who reject certain films on the basis of misrepresentation. That is to say that stereotypes, sh... ...omplish political goals. The free-handed politics of Latino cinema endure to this day, in the land of Aztlan and end-to-end the United States. Carringer, Robert L.1976. Rosebud, Dead or Alive Na rrative and Symbiolic Structure in Citizen Kane, PMLA 91, no.2. Fregoso, Rosa Linda. Chicana Film Practices Confronting the Many-Headed Demon of Oppression. innovative York, NY University of Minnesota Press.Gutierrez-Jones, Carl. Legislating LanguagesThe lay of Gregorio Cortez and the English Language Amendment. New York, NY University of Minnesota Press.Limon, Jose E. 1973. Stereotyping and Chicano Resistance An Historical Dimension. New York, NY University of Minnesota Press.Shohat, Ella. Year. Ethnicities-in-Relation Toward a Multicultural Reading of American Cinema. City, State Publisher.Stam,Richard. Year.Unspeakable Images. City, State Publisher.